Two of the earliest surviving silent films in the Norwegian Film Archives were included in the program, the first of which is Gunnar Sommerfeldt’s epic ode to rugged individualism and self-reliance, The Growth of the Soil, based on the Nobel Prize-winning novel by internationally renowned native author, Knut Pedersen Hamsun. Tracing the pioneering adventures of […]
NYAFF Short Films: Young Rebels
The Train, 2005 A chance encounter between a young student, Giusseppe and a recently paroled ex-convict, Ahmed provides the framework for Brahim Fritah’s distilled and muted, yet thoughtful existential allegory on humanity and modern day cultural identity in The Train. Set against the backdrop of a transcontinental train compartment that curiously resembles an apartment living […]
Hop, 2002
The divisive issues of immigration and social integration are also in Dominique Standaert’s visually resplendent, whimsical, and affectionate film, Hop. In the opening scene, Justin (Keita Kalumba), a young immigrant from Burundi, tells a fantastic tale of the pivotal role of the African pygmies in the defeat of the Carthaginian general, Hannibal, during the Punic […]
Valley of Peace, 1956
Overtly influenced by René Clément’s anti-war film Forbidden Games, France Stiglic’s equally poignant and impassioned Valley of Peace captures the horrors of war as seen through the eyes of its most vulnerable victims – a young girl named Lotti (Evelyne Wohlfeiler) and a protective older boy, Marko (Tugo Stiglic). Taken into custody by German soldiers […]
A South African Love Story – Walter and Albertine Sisulu, 2004
In an interview conducted near the conclusion of the film, A South African Love Story – Walter and Albertine Sisulu, a journalist describes Walter Sisulu’s deliberately low-key, but profoundly influential role in the struggle to liberate South Africa from apartheid and successfully lay the groundwork for multi-racial elections in the country as that “not of […]
The Murderers Are Among Us, 1946
The Murderers are Among Us is a haunting and indelible film on the process of healing and reconciling with personal accountability. The film opens to an imbalancing shot of a drunken Dr. Hans Mertens (Ernst Wilhelm Borchert) wandering through the bombed ruins of Berlin as he enters a disreputable cabaret. Once a successful specialist surgeon, […]




