Mix-Up, 1985

Five years before Abbas Kiarostami would blur the delineation between documentary and fiction in Close-Up by casting underemployed laborer and accused Mohsen Makhmalbaf impersonator, Sabzian to participate in a re-enactment of his fateful encounter with Mrs. Mahrokh Ahankhah and his subsequent deception of the Ahankhah family by ingratiating himself into their company, Françoise Romand would […]

Solitary Fragments, 2007

By the time the final, pillow shot of Solitary Fragments unfolds – a congested panorama of dour, monolithic structures, interchangeable, tiled rooftops, and mobile cranes hovering over the cityscape in a perpetual state of construction and demolition – I was convinced that the film would conclude with some sort of postscript dedication to Edward Yang. […]