One of the clear highlights at this year’s festival is the appearance of human rights activist and outspoken political figure, Malalai Joya at the Q&A for Enemies of Happiness, who, until recently, served as one of the few truly democratic voices in an Afghani parliament that is riddled with rampant corruption, collusion, and inaction, where […]
The Feelings Factory, 2008
For successful, attractive, career-minded, thirty-something real estate attorney, Éloïse (Elsa Zylberstein), there is a certain efficiency and reassuring sense of retained control in the dynamics of speed dating that proves particularly appealing: seven pre-selected men, seven minute face-to-face meetings to form – and leave – an impression and exchange information that, at the end of […]
Shall We Kiss?, 2007
The possible implications of an innocent kiss hover like a dark cloud over the almost perfect evening out between an attractive, out-of-town textile designer, Émilie (Julie Gayet) and good Samaritan Gabriel (Michaël Cohen) in Emmanuel Mouret’s refined and effervescent comedy of manners, Shall We Kiss? (Un baiser s’il vous plaît). Unfolding as a story within […]
Land of Madness, 2009
In its idiosyncratic, tongue-in-cheek mixture of documentary, self-confessional, and deconstruction, Land of Madness is a droll and refreshing throwback to Luc Moullet’s early essay films like Anatomy of a Relationship and Origins of a Meal. Returning to his bucolic, ancestral hometown in the Southern Alps, Moullet embarks on a whimsical, homegrown investigation of the region’s […]
Genèse d’un repas, 1978
Incisively anticipating such sobering and indelible agricultural documentaries as Hubert Sauper’s Darwin’s Nightmare, Nick and Mark Francis’ Black Gold, and Nikolaus Geyrhalter’s Our Daily Bread (as well as the dysfunctionality of big business economics as presented in Mark Achbar and Jennifer Abbot’s The Corporation), and infused with Luc Moullet’s irrepressibly droll, tongue-in-cheek humor that has […]
The City of Photographers, 2006
During the 1980s, a loose network of politically committed photographers sought to document the atrocities of the Pinochet regime from within the country, establishing a press accredited alliance known as the Association of Independent Photographers (AFI). Capturing the atmosphere of protest and unrest in the streets (most notably, in the daily vigils of women seeking […]





