The Ceremony, 1970

In its idiosyncratically alchemic fusion of bituminous humor, fractured narrative logic, bracing social interrogation, and sublimated depictions of perverted sexuality, The Ceremony is a provocative and excoriating satire on the amorphous nature of modern Japanese identity that could only have been forged in the wake of Nagisa Oshima’s increasing disillusionment with the impotence of the […]

Boy, 1969

The idiosyncratic color shift of the title sequence in Nagisa Oshima’s trenchant and acerbic coming-of-age tale, Boy provides an incisive metaphor for the imbalanced natural order that lies beneath the veneer of the modernized, national recovery of post-occupation Japanese society, as a seemingly de-saturated, black and white Japanese flag prominently placed in the center of […]

Death by Hanging, 1968

A clinically presented series of stark white, unembellished placards illustrates the sobering statistical data for the overwhelming public sentiment against the abolition of the death penalty as an off-screen narrator (Nagisa Oshima) provides a snide, but impassioned rebuttal to popular opinion by presenting a objective documentary of the austere and impersonal milieu associated with the […]