Keisuke Kinoshita’s wartime film, Army is anything but the rousing call to arms and reinforcement of patriotism that the authorities had envisioned the film would be. Known for his Ofuna-flavored shomin-geki “women’s pictures”, Kinoshita subverts the official themes of duty, allegiance to the emperor, and national glory. Contrasting the emotional (and philosophical) rigidity of the […]
Category: National Cinema
The Wind Will Carry Us, 1999
A group of men from the city of Tehran traverse the rural Iranian countryside on a jeep, guided by a set of descriptive, yet unavoidably imprecise directions, seemingly lost. The driver (Behzad Dourani), respectfully called “Engineer” by the villagers, eventually encounters his appointed contact along the side of the road: a gentle, courteous boy named […]
A Taste of Cherry, 1997
An impassive, middle-aged man drives through the busy urban traffic of the city, and is approached by several day laborers for hire. He has a specific task in mind, but drives away without saying a word. His name is Mr. Badii (Homayon Ershadi), and he is seeking an assistant for his planned suicide. He stops […]
Through the Olive Trees, 1994
A director, played by an actor (Mohamad Ali Keshavarz), speaks in aside about a real-life devastating earthquake in rural Iran. The director has returned to the village of Koker to work on a new film (an actual Kiarostami film) entitled Life and Nothing More… (And Life Goes On…). The young women have been assembled for […]
Life and Nothing More…/And Life Goes On…, 1991
On a chaotic and congested highway toll interchange, an off-camera toll clerk listens impassively to a humanitarian public service radio broadcast from a Red Crescent spokesperson urging listeners to consider adoption of the many children who have been left orphaned as a result of the recent devastating earthquake in northern Iran. An unnamed, middle-aged film […]
Close-Up, 1990
Close-Up opens to a shot of a newspaper reporter (Hossein Farazmand) fetching two police officers on a taxi to go to a house on Golzar Street. A mild mannered, unassuming man (Hossein Sabzian) is led away by the officers as the reporter goes door-to-door in search of a tape recorder for the exclusive interview. The […]




