Army, 1944

Keisuke Kinoshita’s wartime film, Army is anything but the rousing call to arms and reinforcement of patriotism that the authorities had envisioned the film would be. Known for his Ofuna-flavored shomin-geki “women’s pictures”, Kinoshita subverts the official themes of duty, allegiance to the emperor, and national glory. Contrasting the emotional (and philosophical) rigidity of the […]

The Wind Will Carry Us, 1999

A group of men from the city of Tehran traverse the rural Iranian countryside on a jeep, guided by a set of descriptive, yet unavoidably imprecise directions, seemingly lost. The driver (Behzad Dourani), respectfully called “Engineer” by the villagers, eventually encounters his appointed contact along the side of the road: a gentle, courteous boy named […]

Life and Nothing More…/And Life Goes On…, 1991

On a chaotic and congested highway toll interchange, an off-camera toll clerk listens impassively to a humanitarian public service radio broadcast from a Red Crescent spokesperson urging listeners to consider adoption of the many children who have been left orphaned as a result of the recent devastating earthquake in northern Iran. An unnamed, middle-aged film […]