Keita, The Heritage of the Griot, 1995

One day, in the rural village of Wagadu, a slumbering griot (traditional tale-teller) named Djéliba is visited by the spirit of an ancient hunter and oracle as he recounts in his dreams the legend of a tribesman on the dawn of civilization who rose up and proclaimed himself king of Mandé with the neutral consent […]

Samurai Rebellion, 1967

In a time of sustained peace, the powerful daimyo (feudal warlords) have become resigned to an existence of pointless exercises and petty bureaucracy in a determined effort to retain privilege and curry favors from Edo. In an attempt to stave off boredom, Lord Matsudaira’s (Tatsuo Matsumura) seasoned swordsman, Isaburo Sasahara (Toshirô Mifune) and his trusted […]

The Human Condition, 1959-1961

Masaki Kobayashi’s six-part magnum opus, The Human Condition, based on Junpei Gomikawa’s postwar novel, bears the imprint of Kobayashi’s tutelage under legendary filmmaker Keisuke Kinoshita at Shochiku’s Ofuna studio, a critical, introspective, and deeply personal account of wartime Japan framed from the perspective of an idealistic everyman (and Kobayashi’s alterego), Kaji (Tatsuya Nakadai). Opening to […]

Paper Planes, 1967

During his introduction to the screening of Bostjan Hladnik’s seminal film Dance in the Rain, Slovenian film scholar Joseph Valencic remarked that its modernist structure would serve as a blueprint for Slovenian filmmaking over the course of the next two decades, and this paradigm is clearly reflected in Matjaz Klopcic’s inspired, yet maddeningly (and deliberately) […]