A compendium of self-contained multicultural stories featuring ethnically, economically, and existentially diverse children, each at the cusp of a pivotal turning point in their young lives, Living Rights examines the contemporary relevance – and often divergence – between the humanitarian statement crafted by 1989 United Nations Convention on the Rights of the Child that sought […]
Category: Film Festivals and Retrospectives
Sacred Places, 2009
During the Q&A, Jean-Marie Téno remarked that he was inspired to shoot Sacred Places as a result of seeing dramatic changes to the format of the 2009 FESPACO film festival in Burkina Faso, where the practice of holding open-air simulcasts of featured films for public viewing around the festival grounds in Ouagadougou – often, their […]
The Colonial Misunderstanding, 2005
In an early episode of The Colonial Misunderstanding, a reverend from Cameroon who is working towards the restoration and proper attribution of a native Jamaican missionary, Joseph Merrick’s historical importance in the Christianization of the country during the early half of the 1800s (a historical suppression that, in the light of colonialization in the latter […]
Noura’s Summer, 2005
Continuing in the muted, expositional vein of Amal on the marginalization of women, Pascal Tessaud’s Noura’s Summer is an examination of the outmoded, often conflicting traditions that perpetuate a generational culture clash between old world tradition and new world modernity, an ingrained culture that continues to perceive women, not as independent people, but as properties […]
Change of Plans, 2009
From the opening images of Change of Plans, Danièle Thompson illustrates the intersection between personal and public spaces, initially, in the title sequence shot of a flamenco class in which a distracted, rhythm-challenged attorney, Marie-Laurence (Karin Viard) tries to keep up with – and out of the way of – other people, and subsequently, a […]
Novel City, 2008 / Horizontal Boundaries, 2008
Novel City, 2008 (Leslie Thornton) While Leslie Thornton’s 1983 film Adynata posed questions of exoticism and alterity in its cultural examination of China, Novel City represents a different, yet equally jarring notion of otherness – one borne of China’s rapid industrialization, economic transformation, and cultural amnesia at the turn of the century. Interweaving excerpts from […]





