Recalling the whimsical, organic transections between past and present, dream and reality, literature and real-life of Raoul Ruiz’s earlier films Memory of Appearances and Time Regained, The Lost Domain is a more somber and pensive, yet still vibrant, impassioned, and intelligently constructed exposition on the process of maturation, the demystification of a childhood hero, and […]
Category: Film Festivals and Retrospectives
Days in the Country, 2004
Continuing his preoccupation with the interpenetration of time and memory, fiction and reality of Time Regained (that would be further explored in the subsequent film The Lost Domain), Days in the Country marks Raoul Ruiz’s first Chilean feature film in thirty years. Perhaps inspired by the curious radio news broadcast of his own death, an […]
The Kite, 2003
Poignant, humorous, and exquisitely realized, Randa Chahal-Sabbag’s The Kite follows the plight of a beautiful and carefree Lebanese girl named Lamia (Flavia Bechara) who, after recklessly tempting fate by briefly trespassing into the mined, Israeli-controlled heavily militarized buffer zone in order to retrieve her kite, is ruled by her village council to be prepared for […]
Kanikosen, 2009
In its incarnation as a 21st century, recession-era satire on worker exploitation and the intersection between globalism and geopolitics, Sabu’s Kanikosen is an atmospheric, if diluted adaptation of Takiji Kobayashi’s Shōwa-era leftist novel. Set aboard an Imperial Navy-escorted (and implicitly, sanctioned), crab canning ship operating near (and often, over) the Russian-controlled Sea of Okhotsk, the […]
Paranoid Park, 2007
There is a palpable sentiment of trying to capture the ephemeral that runs through Gus Van Sant’s Paranoid Park, a film that further modulates his now familiar aesthetic of melding abstract episodes of hypnotic time drift with the alienated portrait of imploding, angry youth that have characterized his more recent films (beginning with his Béla […]
Elephant, 2003
Structured in elegantly fluid and elliptically interconnected episodes from a roving, multiple student point-of-view, Elephant is an incisive and poetic, yet relevant and deeply disturbing portrait of the unfolding of a fictional, modern-day high school massacre in suburban America. Van Sant presents a richly textured and complexly interwoven series of mundane student interactions and astute […]





