Ne quittez pas!/Local Call, 2004

During the Q&A for Local Call, filmmaker Arthur Joffé expressed his great fondness and respect for the works of Nobel laureate author and playwright, Isaac Bashevis Singer, whom he credits as his primary screenwriting influence, and from the complex tragicomic, impassioned, affecting, and deeply humanist tone of the film, the affinity is easy to see. […]

24 City, 2008

In its portrait of a culture on the verge of erasure with the advent of redevelopment and gentrification, Jia Zhang-ke’s 24 City shares kinship with José Luis Guerín’s En Construcción, reflecting the idea of a city built from the rubble of abandoned, forgotten histories. Interweaving first person and composite, fictional interviews with workers, friends, and […]

The World, 2004

Marking Jia’s first state-approved film, The World immediately bears the visual imprint of its “official”, non-underground status in its highly polished mise-en-scène: the elaborate pageantry of a flamboyant stage spectacle, ornate costuming, original electronica background compositions, and whimsical, interstitial animation sequences. Following the lives of a group of young adults working at an Epcot Center-like […]

Let It Rain, 2008

The insidious nature of racism and marginalization that underpins the discourse in It’s Hard Being Loved by Jerks also surfaces in Let It Rain, Agnès Jaoui’s third (and lightest) ensemble collaboration with screenwriter and actor, Jean-Pierre Bacri. Having scheduled a visit to her childhood home in order to help her sister, Florence (Pascale Arbillot) sort […]