It perhaps comes as no surprise that the astute social observation and political acuity so integral to the wry, infectious, and irresistible whimsical humor of Blame it on Fidel comes from first (non documentary) feature filmmaker Julie Gavras, whose father, Costa Gavras, continues to redefine the bounds of political filmmaking with his distinctive blueprint for […]
Category: Film Festivals and Retrospectives
Eden Is West, 2009
The quixotic search for a better life in the West collides with the reality of immigration raids, exploitation, and poverty in Costa-Gavras’s picaresque, if insubstantial and ultimately unremarkable film, Eden Is West. Embodying the prototypical image of the naïve, wide-eyed immigrant is Elias (Riccardo Scamarcio) who, as the film begins, has paid smugglers a substantial […]
Secret History of the Dividing Line: A True Account in Nine Parts, 1999-2005
David Gatten’s largely text-based impressionist work-in-progress omnibus, Secret History of the Dividing Line: A True Account in Nine Parts is, at once, a mind-numbing, transfixing, frustrating, poignant, and narcoleptic grand unified theory into the figurative separation between word and image, film and narrative, presence and absence, empire and colony, mortality and legacy. Weaving inexorably throughout […]
The Frontier of Dawn, 2008
Philippe Garrel’s atmospheric and luminous, if oddly cold and alienated The Frontier of Dawn represents an amalgam of the filmmaker’s familiar themes: the haunting of a failed love affair, the helplessness of seeing a loved one self-destruct, the guilt (and isolation) of survival, the fear of fleeting happiness. In this respect, the film’s crepuscular title […]
Regular Lovers, 2005
Regular Lovers is a quintessential Philippe Garrel film. Part self-exorcism of the failed idealism of the May 68 counter-culture revolution that inevitably burned out in a haze of recreational drug use, sexual liberation, and the inertia of bohemianism, and part elegy on love found in the wreckage of a heartbreaking aftermath that, too, becomes inevitably […]
The Hero, 2004
Each day, a decorated war veteran and landmine victim named Vitório, having been discharged from the military after the government issued troop demobilization orders at the end of the 30 year civil war, waits in the wings of an overcrowded, physical rehabilitation hospital to see if his petition for a prosthetic leg has finally been […]





