Program 7: Nina Fonoroff

The Accursed Mazurka, 1994 A series of stark, alienating, and desolate expressionistic images convey a sense of foreboding and dread as a scratched, narrative soundtrack (reminiscent of an early generation, low fidelity audio broadcast recording) presents an anonymous, paranoiac woman’s curious hypothesis that the onset of her psychological break from reality had been triggered by […]

Gentille, 2005

The whimsical and offbeat opening sequence of subverted expectation and role reversal provides a tongue-in-cheek glimpse into the eccentric humor and understatedly irony of screenwriter turned filmmaker Sophie Fillières latest film, Gentille, as an anxious Fontaine Leglou (Emmanuelle Devos), an anesthesiologist working the evening shift at a private psychiatric hospital, accosts an unwitting man on […]

Go Go Tales, 2007

During the Q&A for Go Go Tales, native New Yorker Abel Ferrara indicated that although the film’s main setting, Ray Ruby’s Paradise Lounge looks like something straight out of the city’s seedier sections, the authentically gaudy look of the cabaret was actually inspired by an interchangeable array of fly-by-night strip clubs that used to operate […]

The Third Generation, 1979

An early cursory comment that capitalists invented terrorism as a means of selling security (that, in turn, will safeguard their own survival) provides the trenchant context for Rainer Werner Fassbinder’s delirious and provocative satire, The Third Generation. Alluding to the emergence of a new generation of terrorists who, unlike their predecessors, lack a coherent agenda […]

Last Train Home, 2009

From the seemingly mundane (if logistically nightmarish) objective of documenting the annual mass exodus of migrant workers from industrial cities as they return home to their rural villages in time for the Chinese New Year, Lixin Fan poignantly captures the dissolution of family in the face of globalism, poverty, and disenfranchisement in Last Train Home. […]