In its idiosyncratically alchemic fusion of bituminous humor, fractured narrative logic, bracing social interrogation, and sublimated depictions of perverted sexuality, The Ceremony is a provocative and excoriating satire on the amorphous nature of modern Japanese identity that could only have been forged in the wake of Nagisa Oshima’s increasing disillusionment with the impotence of the […]
Category: Directors
The Man Who Left His Will on Film, 1970
A young activist named Motoki (Kazuo Goto) comes into the view of a rolling Bolex camera as he accosts the silent, unseen operator to demand its return, arguing that the presumptuous filmmaker can shoot landscapes at any time while his need to film a nearby demonstration in order to create “a documentary of the struggle” […]
Boy, 1969
The idiosyncratic color shift of the title sequence in Nagisa Oshima’s trenchant and acerbic coming-of-age tale, Boy provides an incisive metaphor for the imbalanced natural order that lies beneath the veneer of the modernized, national recovery of post-occupation Japanese society, as a seemingly de-saturated, black and white Japanese flag prominently placed in the center of […]
Death by Hanging, 1968
A clinically presented series of stark white, unembellished placards illustrates the sobering statistical data for the overwhelming public sentiment against the abolition of the death penalty as an off-screen narrator (Nagisa Oshima) provides a snide, but impassioned rebuttal to popular opinion by presenting a objective documentary of the austere and impersonal milieu associated with the […]
Night and Fog in Japan, 1960
Named after Alain Resnais’ essay film on the abandoned landscapes of postwar Auschwitz that bear silent witness to the tragedy of the Holocaust, Night and Fog in Japan, Nagisa Oshima’s fictional deconstruction of the left movement in the aftermath of the ratification of the second U.S.-Japan Security Treaty (Anpo) in 1960 is also a caustic […]
Violence at Noon, 1966
A haggard, expressionless drifter named Eisuke (Kei Sato) encounters the object of his obsession working as a maid at a private residence. Her name is Shino (Saeda Kawaguchi), a former coworker from a failed collective farm in the province whose life he once saved. As Eisuke proceeds to terrorize Shino to the point of unconsciousness, […]





