In 17th century Kyoto, a beautiful, young lady-in-waiting, Oharu (Kinuyo Tanaka), falls in love with a low ranking page, Katsunosuke, (Toshiro Mifune). During a raid on a local lodging house, their affair is discovered, leading to her family’s exile, and Katsunosuke’s execution. When Lord Matsudaira (Toshiaki Konoe) dispatches an attendant from Edo to seek out […]
Category: Directors
Utamaro and His Five Women, 1946
Utamaro and His Five Women opens to a languid tracking shot of a formal procession of men and women performing a near static, ceremonial dance. The setting is the Tokugawa Era of late eighteenth century Japan, and the impassive courtship is a reflection of the rigid class structure and behavioral code instilled during their feudal […]
The 47 Ronin, 1947
In the feudal society of 1701 Japan, the samurai code of honor is slowly becoming irrelevant as provincial laws, nepotism, and bureaucracy replace ritual and tradition. The elder ceremonial lord, Kira (Mantoyo Mimasu), fails to instruct Lord Asano (Yoshizaburo Arashi) on proper court etiquette (primarily due to Lord Asano’s oversight in offering a bribe to […]
The Story of the Last Chrysanthemum, 1939
The Story of the Last Chrysanthemum opens to a majestic shot of the Shintomi Theater in the heart of Tokyo in 1888, as a popular acting troupe performs a lush, enthusiastically received Kabuki play. Passionate about the theater and eager to perfect his craft, Kikunosuke (Shotaro Hanayagi) seems destined to continue the revered tradition of […]
Sisters of the Gion, 1936
Sisters of the Gion recounts the story of two geisha sisters in the working class district of Gion. The elder sister, Umekichi (Yoko Umemura) is old-fashioned and traditional, and believes in the loyal duty of a geisha to her patron. Her younger sister named Omocha (Isuza Yamada), which literally means “plaything”, is modern and unsentimental, […]
Osaka Elegy, 1936
Sonosuke Asai (Benkei Shiganoya), the manager of a pharmaceutical company, begins each morning with a familiar ritual: selfishly praying for “wealth and health”; harshly berating the servants; complaining of his wife’s (Yoko Umemura) untraditional behavior. Yet, having married into prominence and career, he is unable to censure her conduct, and is compelled to submit to […]





