Perhaps it is postwar filmmaker’s Keisuke Kinoshita’s reputation as a director of old-fashioned, “women’s pictures” coupled with his penchant for depicting simple, uncorrupted innocence that have rendered his work (particularly with the advent of the Japanese New Wave) vulnerable to criticisms of outmoded sentimentality. However, while these generalizations are rooted in the intrinsic elements of […]
Category: Directors
Army, 1944
Keisuke Kinoshita’s wartime film, Army is anything but the rousing call to arms and reinforcement of patriotism that the authorities had envisioned the film would be. Known for his Ofuna-flavored shomin-geki “women’s pictures”, Kinoshita subverts the official themes of duty, allegiance to the emperor, and national glory. Contrasting the emotional (and philosophical) rigidity of the […]
Ten, 2002
Ten is a captivating, humorous, and understated film by Abbas Kiarostami that follows a series of (ten) conversations by a divorced middle-class woman as she engages a series of passengers in a dialogue while navigating the streets of Tehran: her precocious son who feels suffocated by his parents’ competition for his allegiance and affection; her […]
The Wind Will Carry Us, 1999
A group of men from the city of Tehran traverse the rural Iranian countryside on a jeep, guided by a set of descriptive, yet unavoidably imprecise directions, seemingly lost. The driver (Behzad Dourani), respectfully called “Engineer” by the villagers, eventually encounters his appointed contact along the side of the road: a gentle, courteous boy named […]
A Taste of Cherry, 1997
An impassive, middle-aged man drives through the busy urban traffic of the city, and is approached by several day laborers for hire. He has a specific task in mind, but drives away without saying a word. His name is Mr. Badii (Homayon Ershadi), and he is seeking an assistant for his planned suicide. He stops […]
Through the Olive Trees, 1994
A director, played by an actor (Mohamad Ali Keshavarz), speaks in aside about a real-life devastating earthquake in rural Iran. The director has returned to the village of Koker to work on a new film (an actual Kiarostami film) entitled Life and Nothing More… (And Life Goes On…). The young women have been assembled for […]




