Platform, 2000

Platform opens to an appropriately temporally indeterminate sight of a bustling, crowded backstage of a provincial theater as a group of itinerant performers await the commencement of their traveling cultural education program that equally extols the country’s technological and social progress made possible by the Communist Revolution and celebrates its principal architect, Chairman Mao Zedong. […]

Let It Rain, 2008

The insidious nature of racism and marginalization that underpins the discourse in It’s Hard Being Loved by Jerks also surfaces in Let It Rain, Agnès Jaoui’s third (and lightest) ensemble collaboration with screenwriter and actor, Jean-Pierre Bacri. Having scheduled a visit to her childhood home in order to help her sister, Florence (Pascale Arbillot) sort […]

Villa Amalia, 2009

As in his previous film The Untouchable, Benoît Jacquot’s sublime and brooding film Villa Amalia, an adaptation of Pascal Quignard’s novel, also explores themes of identity and fugue. This ambiguity is suggested in the film’s opening sequence, as a distracted Ann (Isabelle Huppert) – having just witnessed her long-time partner, Thomas (Xavier Beauvois) near the […]

Seventh Heaven, 1997

A delicately rendered, slice-of-life relational drama played out as psychological mystery, Seventh Heaven incisively opens to an unfocused shot of Mathilde (Sandrine Kiberlain) standing near the glass doors of a department store until her visage gradually comes into focus – and with it – her abstracted gaze as she compulsively steals a scale model car […]

Princess Marie, 2004

Benoît Jacquot’s thematic penchant for performance, historicity, and probing the creative mind converges impeccably in the epic biopic Princess Marie on the remarkable life of Princess Marie Bonaparte – the libertine, progressive thinking, seemingly anachronistic great grand-niece of Napoleon and Princess of Greece and Denmark – and her close association with Sigmund Freud and his […]