The sublime opening sequence of Dust in the Wind follows a nearly imperceptible diffused white speck – perhaps the referential “dust” of the film’s evocative title – as it momentarily shifts location near the center of the frame then continues on its inexorable course, gradually converging to reveal a light at the end of a […]
Category: Directors
The Time to Live and the Time to Die, 1985
The Time to Live and the Time to Die is prefaced by the gentle, soft-spoken voice of an off-camera narrator (presumably filmmaker Hou Hsiao Hsien) as he recounts the story of his family’s postwar migration from Mei County in the Kwangtung Province of mainland China in pursuit of career opportunities and the prospect of a […]
The Boys from Fengkuei, 1983
The Boys from Fengkuei opens to a static shot of a near desolate thoroughfare in the bucolic, fishing village of Fengkuei in the Penghu islands, as a slow moving bus momentarily stops to open its doors off-camera – seemingly to accommodate or disembark some unseen passenger – before continuing on its unhurried journey along the […]
The Sandwich Man: The Son’s Big Doll, 1983
In 1962, at an anonymous Taiwanese village, a somber, lackadaisical man curiously dressed as a clown and laden with advertising billboards promenades through an array of indistinguishable city streets on a sweltering summer day, trying to attract the attention of the occasional passerby with the constant beating of a toy ceremonial drum before momentarily wandering […]
Public Lighting, 2004
Mike Hoolboom continues to refine the tonally complex, multi-chapter, mixed media compositions of his 2003 video essay, Imitations of Life with his latest – and equally ambitious and inspired – offering, Public Lighting. In the prologue, a restless young writer muses that, “every wound gives off its own light, and some of these wounds are […]
Night and Day, 2008
In a way, Night and Day continues the narrative bifurcation of Hong San-soo’s earlier work while converging towards Luis Buñuel’s late period films in conflating reality with sublimated desire. A married, middle-aged painter, Sun-nam (Kim Youngho), having impulsively run off to Paris in order to avoid a confrontation with police following a pot smoking incident, […]





