The Sandwich Man: The Son’s Big Doll, 1983

In 1962, at an anonymous Taiwanese village, a somber, lackadaisical man curiously dressed as a clown and laden with advertising billboards promenades through an array of indistinguishable city streets on a sweltering summer day, trying to attract the attention of the occasional passerby with the constant beating of a toy ceremonial drum before momentarily wandering […]

Night and Day, 2008

In a way, Night and Day continues the narrative bifurcation of Hong San-soo’s earlier work while converging towards Luis Buñuel’s late period films in conflating reality with sublimated desire. A married, middle-aged painter, Sun-nam (Kim Youngho), having impulsively run off to Paris in order to avoid a confrontation with police following a pot smoking incident, […]