Deux, 2002

A young woman named Magdalena (Isabelle Huppert) retrieves a postcard that had been cast into the wind by her biological mother (Bulle Ogier) from a seaside town in Portugal and discovers that she has a twin sister named Maria. From this seemingly introspective opening premise on identity, connection, and history, Deux diverges into unexpectedly abstract, […]

Moolaadé, 2004

An early establishing sequence in Moolaadé captures the intrinsic character of the unnamed rural village through its peculiar, indigenous architecture, as the camera lingers on the voluptuous image of the local mosque that has been fashioned in the tactile and simple organic forms of a traditional African mudhut and curiously topped with an ostrich egg. […]

Camp de Thiaroye, 1987

A historical fiction based on the Thiaroye transit camp massacre in 1944, Ousmane Sembène and Thierno Faty Sow’s Camp de Thiaroye dismantles the myth of colonial assimilation to expose ingrained social and cultural mechanisms of racism, exploitation, and privilege. The disconnection is implied in the film’s opening image of West African colonial troops (Tirailleurs Sénégalais) […]

Xala, 1975

A successful, middle-aged businessman named El Hadj Abdoukader Beye (Thierno Leye) has reached the pinnacle of the economic elite by participating in a native revolt against colonialist authorities and, along with his colleagues, seized control of the chamber of commerce. Despite the newly convened commerce board’s altruistic declarations for establishing compassionate socialism, rampant corruption and […]