Diary, 1973-1983

A connecting thread that invariably weaves throughout documentary filmmaker David Perlov’s organically unfolding, yet instinctively lucid, pensive, insightful, and intimately observed personal essay film, Diary is the recurrence of unconscious, naturally occurring patterns – at once, symmetric, convergent, and coincidental, but also paradoxically autonomous, singular, and bifurcated – that continue to resurface and permutate within […]

Play It As It Lays, 1972

Something of a prelude to David Lynch’s explorations into the dark side of tinsel town (and in particular, the intersecting alternate realities of his sprawling metafilm Inland Empire), Frank Perry’s Play It As It Lays is a stark, fragmented, and disjointed, but instinctually cohesive, occasionally luminous (and humorous), and inevitably heartbreaking adaptation of Joan Didion’s […]

L’Enfance nue, 1968

Part autofiction in its reflexive tale of emotional abandonment and part social realism in its clinical illustration of the nation’s overtaxed foster care system, Maurice Pialat’s L’Enfance nue finds greater kinship with Jean Eustache’s studies on hybrid modes of representation than with a deconstructed cinéma du papa that François Truffaut’s involvement as the film’s co-producer […]

L’Amour existe, 1960

The sound of a rattling, mechanical alarm bell seemingly ushers a silent wave of anonymous, early morning commuters heading towards metropolitan Paris at the crack of dawn as they follow the ritualistic procession of informal queues leading to the subway station, pack into crowded, unconditioned trains, transfer through a coordinated maze of mass transportation, traverse […]