L’Enfance nue, 1968

Part autofiction in its reflexive tale of emotional abandonment and part social realism in its clinical illustration of the nation’s overtaxed foster care system, Maurice Pialat’s L’Enfance nue finds greater kinship with Jean Eustache’s studies on hybrid modes of representation than with a deconstructed cinéma du papa that François Truffaut’s involvement as the film’s co-producer […]

L’Amour existe, 1960

The sound of a rattling, mechanical alarm bell seemingly ushers a silent wave of anonymous, early morning commuters heading towards metropolitan Paris at the crack of dawn as they follow the ritualistic procession of informal queues leading to the subway station, pack into crowded, unconditioned trains, transfer through a coordinated maze of mass transportation, traverse […]