Posts by acquarello:

Refiguring Spain: Cinema/Media/Representation, edited by Marsha Kinder

Composed of three sections, Historical Recuperation, Sexual Reinscription, and Marketing Transfiguration: Money/Politics/Regionalism, Refiguring Spain: Cinema/Media/Representation is a collection of essays that examine the ways in which Spanish cinema has both defined and constructed a national identity in the latter half of the twentieth century under a transformative climate of repression, democratization, social liberation, and globalism. […]

Radical Juxtaposition: The Films of Yvonne Rainer by Shelley Green

After recently seeing Yvonne Rainer’s Film About a Woman Who… for a second time, I still found that all the words I could muster for this dense, overlapping, fractured, and impenetrable, but somehow idiosyncratically transfixing film was something of a stream of consciousness outline, jotting down passing observations with the idea that, by encapsulating them […]

Questions of Third Cinema, edited by Jim Pines and Paul Willemen

A collection of transcribed essays presented during the three-day conference organized by Jim Pines, Paul Willemen, and June Givanni as part of the 40th anniversary of the Edinburgh International Film Festival in 1986, Questions of Third Cinema examines the evolution, application, relevance, and continued challenges of Third Cinema in its manifestation, not only from the […]

Poetics of Cinema 2 by Raúl Ruiz

Eleven years since the publication of Poetics of Cinema, Raúl Ruiz continues his articulate, erudite, and insightful rumination in Poetics of Cinema 2, a lithe and infectious, yet densely referential, cross-pollinated exposition on the art and nature of image-making in an age of an overexposed cinema that, in its aesthetic democratization and crass commercialization, has […]

Patterns of Time: Mizoguchi and the 1930s by Donald Kirihara

In the book Patterns of Time: Mizoguchi and the 1930s, Donald Kirihara recounts a legendary episode at the Venice Film Festival that sets the tone for Kenji Mizoguchi’s unique and unforgettable films: When in Venice in 1963 for the festival screening of Ugetsu, he spoke of the film as a representative of Japan’s aesthetic tradition. […]