Marking Joaquim Pedro de Andrade’s first feature film, The Priest and the Girl hews closer to naturalism than modernism in its stark and muted Emile Zola-like tale of a young priest (Paulo José) who has been summoned to a small rural village in Minas Gerais in order to dispense extreme unction for the town’s terminally […]
About: acquarello
Posts by acquarello:
Brasilia, Contradictions of a New City, 1967
Commissioned by Italian typewriter manufacturing company Olivetti in 1966 to showcase the construction of Brazil’s newly completed modern capital, Brasilia (and who then promptly shelved the completed work, perhaps because of its implicit critical inquiry), Joaquim Pedro de Andrade’s exquisitely shot, articulate, and impassioned film, Brasilia, Contradictions of a New City, as its name suggests, […]
Garrincha, Joy of the People, 1962
Something like a kindred spirit to Hiroshi Teshigahara’s José Torres in its mundane observations of the dedicated craft and everyday rituals of a champion sportsman, Garrincha, Joy of the People is an affectionately rendered and thoughtful, if somewhat idealized portrait of Manoel Francisco dos Santos, affectionately called “Garrincha”, the Brazilian football star considered to be […]
A Poet of the Castle, 1951
A companion piece to Joaquim Pedro de Andrade’s short film, The Master of Apipucos, The Poet of the Castle is a reverent portrait of beloved Brazilian modernist poet – and de Andrade’s godfather – Manuel Bandeira. Plagued by delicate health throughout his lifetime stemming from a childhood bout of tuberculosis, Bandeira’s daily ritual intrinsically reflects […]
Grey Souls, 2005
During the introductory remarks for Grey Souls, Yves Angelo commented that perhaps the most enduring lesson that had remained with author Philippe Claudel during his years spent working as a prison guard while writing his acclaimed novel was the idea that in such an environment, no one can be completely trusted. This sense of pervasive […]
The Suspended Step of the Stork, 1991
The first film of what would be loosely considered Theo Angelopoulos’ Trilogy of Borders, The Suspended Step of the Stork opens to the tumultuous and disconnected stationary long shot of a helicopter hovering over an indistinguishable, formless, dark mass floating lifelessly in an undulating open sea that has been encircled by a small fleet of […]





