A young woman steps off a bedroom balcony and falls to her death, her white shawl hovering above, deflected by the breeze. Her pawnbroker husband (Guy Frangin), speaking with methodical detachment, recounts their relationship in a series of flashbacks. But inevitably, the answers remain as elusive as his lost, despondent (and appropriately nameless) wife (Dominique […]
Tag: Robert Bresson
Mouchette, 1967
Robert Bresson distills the superficial portrait of the archetypal gamin in order to derive the indelibly bleak and caustic cinematic image of Mouchette. Hardly the hapless waif or endearing pixie, Mouchette (Nadine Nortier) is all too human: a slovenly, unremarkable, and asocial adolescent neglected by a terminally ill mother (Maria Cardinal) and an abusive, alcoholic […]
Au Hasard Balthazar, 1966
Balthazar is a farm animal – a donkey – born into a life of servitude: a beast of burden destined to work the land, carry bales of hay, provide occasional transportation. His harsh, often exploited existence is paralleled through the life of Marie (Anne Wiazemsky), a reticent young woman whose father (Philippe Asselin) has been […]
Trial of Joan of Arc, 1962
Trial of Joan of Arc opens to the austere, fragmented image of the hurried footsteps of an indistinguishable figure dressed in a black robe. Carrying a parchment into the vestibule of a chapel, an unidentified woman delivers a personal statement on her daughter’s religious upbringing and death at the hands of the church, visibly supported […]
Pickpocket, 1959
Michel is an inscrutable young man – neatly dressed, mild mannered, intelligent – hardly the type whom one would suspect to be a pickpocket. And perhaps, that is reason that he does it. Robert Bresson’s Pickpocket is a well crafted, austere, and taut film of a man driven by his self-destructive compulsion. We first encounter […]
A Man Escaped, 1956
A Man Escaped opens with the indelible image of a pair of restless hands belonging to a French resistance officer named Lieutenant Fontaine (Francois Leterrier). His face is inscrutable and impassive, concealing his calculated attempt to flee from the escorted prison transport vehicle. He reaches for the door handle, retreats, then reaches again. At a […]