The Road, 2001

If the visual expression of artistic process in Federico Fellini’s surreal and reflexive film, 8 1/2 were to be distilled into the spare, elemental cinema of Abbas Kiarostami, the result would likely be similar to Darezhan Omirbaev’s evocatively muted, endearing, innately affectionate, and poetic film, The Road. A pensive director named Amir Kobessov (played by […]