Something of a muted hybrid between a thirty-something version of the existential crossroads between the freedom of academic emancipation and the responsibilities of adulthood captured by Jae-eun Jeong in Take Care of My Cat crossed with Alain Tanner’s perceptive portrait of the May 68 generation in the aftermath of the failed cultural revolution in Jonah […]
Ostensibly titled after highly reactive (and consequently, short-lived) molecules that contain unpaired electrons in their outer shells, Barbara Albert’s Free Radicals presents a series of fractured (and often sexually gratuitous) tales of coincidence and synchronicity. The film unfolds in an organic structure that reflects the conventional proverb on the consequential, unforeseen, long-reaching effects of the […]
The advent of the Balkan Wars following the collapse of the Soviet Union (and leading to the breakup of Yugoslavia) – and in particular, the engagement of NATO peacekeeping forces in Kosovo – forms the destabilized, uncertain backdrop for Barbara Albert’s politically loaded Nordrand, a zeitgeist film on the changing face of Austrian society at […]