Similar to Pierre Yameogo’s Me and My White Pal, Mahamat-Saleh Haroun’s crisp, lighthearted satire Sex, Gumbo and Salted Butter reflects on the challenges posed by dislocation, estrangement, and cultural assimilation. For old-fashioned family patriarch and Malian expatriate, Malik (Marius Yelolo), the belated culture shock of immigrating to Bordeaux comes when his attractive, much younger wife, […]
All Is Forgiven, 2007
Originally produced by Humbert Balsan before his death in 2005, Mia Hansen-Løve’s All Is Forgiven (Tout est pardonné) recalls the muted, slow brewing, slice of life implosions of Stefan Krohmer’s Summer 04 and Valeska Grisebach’s Longing, as well as the naturalistic, organic narrative and chance intersections of Barbara Albert’s cinema to create a raw and […]
The White Ribbon, 2009
Set in an unidentified Protestant village in northern Germany during the early part of the twentieth century, Michael Haneke’s luminous and atmospheric The White Ribbon is a crystallization of his recurring preoccupations with the ambiguity of truth, class division, surveillance, and the violence of repression. Prefacing the story with the acknowledgment that his memory of […]
Caché, 2005
Michael Haneke’s latest offering, Caché brilliantly converges towards early Harun Farocki themes of surveillance and terrorism though images while retaining his own recurring themes on the abstraction of videoimage representation (as in The Seventh Continent), the desensitization of images (as in Benny’s Video), and the breakdown of (social) order as a consequence of failed communication […]
Time of the Wolf, 2003
Set in the indeterminate milieu of an idyllically pastoral, rural province, a family from “the city” arrives at their summer home for a seeming holiday getaway to find a hostile, armed squatter and his family in the premises. Following an unprovoked act of senseless violence, Anna (Isabelle Huppert) and her children, Eva (Anaïs Demoustier) and […]
Code Inconnu/Code Unknown, 2000
In an age of a borderless, new European economy, the volatile encounter of four people on an anonymous Parisian street underscores the underlying social disparity inherent in any increasingly multicultural, contemporary urban society. A brash, impatient young man named Jean (Alexandre Hamidi) accosts his older brother’s girlfriend, an actress named Anne (Juliette Binoche), on the […]





