Le Révélateur, 1968

One of the experimental works created from the cadre of radical, emerging artists financed under the rubric of Zanzibar films that captured the spirit of May 68 and the counter culture revolution, Philippe Garrel’s silent film Le Révélateur is a fractured and elliptical, but instinctive, elemental, and haunting rumination on the process of awakening, maturation, […]

Three Times, 2005

After two films that admittedly left me uncertain over the direction of Hou Hsiao Hsien’s cinema, it was particularly satisfying to see Hou incorporate his earlier (and specifically, more overtly political) films with his recent expositions into more distilled and highly elliptical mood pieces. Evoking Chantal Akerman’s Toute une nuit in its essential distillation of […]