The themes explored in Patrice Chéreau’s probing, tightly constructed Persecution are prefigured in the film’s disorienting (and quintessentially Chéreau) opening sequence. Scanning from one anonymous commuter to another, a panhandler makes her way through a crowded train before someone makes inopportune eye contact, and she responds by slapping her face. The episode intrigues a bystander, […]
Welcome to Destination China, 2003
Creating another slice-of-life pseudo-documentary chronicle of marginalized people living in impoverished slums along the banks of the Suzhou River (and in the process, deconstructs the romantic vision of Ye Lou’s ephemeral Suzhou River), Welcome to Destination China loosely centers on a madam called Jennifer and the desperate people whose meager livelihood rests on her disreputable […]
Shanghai Panic, 2001
Based on a banned novel by underground writer Mian Mian entitled Welcome to Panic, Andrew Cheng’s socially relevant, but technically uneven digital video pseudo-documentary follows a close-knit group of rootless, young adults (apparently played by Mian Mian and her circle of friends) in the urban jungle of Shanghai as a male friend – perhaps struggling […]
Accident, 2009
Part caper film and part psychological thriller, Soi Cheang’s Accident is an early highlight in this year’s Film Comment Selects program. Opening to the gruesome image of a fatal car accident scene, the film immediately recalibrates the viewer’s expectation over the notion of accident in another seemingly random traffic-related episode as an impatient driver, blocked […]
The Pope’s Toilet, 2007
In an episode near the denouement of César Charlone and Enrique Fernández’s The Pope’s Toilet, grocery runner Beto (César Troncoso), racing across the countryside on his rickety bicycle to install a public toilet in front of his home in time for the papal visit to his village – and more pressingly, the hordes of people […]
Durian Durian, 2000
A sweet little girl from the the city of Shenzhen in mainland China named Fan (Mak Wai-fan) recounts with innocent reflection her father’s early dawn ritual of dressing in complete darkness, preparing his meal, and rolling his portable cart to the train station, as he makes his exhausting daily commute to Hong Kong to buy […]




