The Kite, 2003

Poignant, humorous, and exquisitely realized, Randa Chahal-Sabbag’s The Kite follows the plight of a beautiful and carefree Lebanese girl named Lamia (Flavia Bechara) who, after recklessly tempting fate by briefly trespassing into the mined, Israeli-controlled heavily militarized buffer zone in order to retrieve her kite, is ruled by her village council to be prepared for […]

Kanikosen, 2009

In its incarnation as a 21st century, recession-era satire on worker exploitation and the intersection between globalism and geopolitics, Sabu’s Kanikosen is an atmospheric, if diluted adaptation of Takiji Kobayashi’s Shōwa-era leftist novel. Set aboard an Imperial Navy-escorted (and implicitly, sanctioned), crab canning ship operating near (and often, over) the Russian-controlled Sea of Okhotsk, the […]

Elephant, 2003

Structured in elegantly fluid and elliptically interconnected episodes from a roving, multiple student point-of-view, Elephant is an incisive and poetic, yet relevant and deeply disturbing portrait of the unfolding of a fictional, modern-day high school massacre in suburban America. Van Sant presents a richly textured and complexly interwoven series of mundane student interactions and astute […]

The Fly-Up, 2002 / My Brother Silk Road, 2001

The Fly-Up Preceding Marat Sarulu’s feature film, My Brother Silk Road is the filmmaker’s short film, The Fly-Up, a quiet observation of a factory furnace worker’s idyllic afternoon of rest as he attempts to escape the oppressiveness of his existence by taking a nap on the rooftop, watching a beautiful young neighbor as she paints […]

Paprika, 2006

Based on the futuristic novel by seminal science fiction author Yasutaka Tsutsui, Paprika is a bold, provocative, mind-bending, and fiercely intelligent exposition into the nature of terrorism, the demystification of the subconscious, and the psychology of fetishism and objectification. A rash of thefts involving a developmental prototype dreamcatcher device, code named DC Mini, the brainchild […]