The Legend of Suram Fortress, 1984

A traditional Georgian folktale recounts the story of a powerful medieval overlord who sought to fortify the most vulnerable territory within his vast and far-reaching empire, the remote kingdom of Surami, through the envisioned construction of the formidable Suram Fortress. However, the completion of the ambitiously conceived, large-scale fortification project soon proves to be elusive […]

The Color of Pomegranates (Sayat Nova), 1968

The Color of Pomegranates conveys the life of Sayat Nova, an Armenian troubadour, through lyrical, poetic, and beautifully constructed imagery. But how does one begin to describe the viewing experience of such an iconoclastic film? After all, Sergei Paradjanov is fundamentally an artist, experimenting with film as a moving canvas. In contrast to the minimalist, […]

Diary, 1973-1983

A connecting thread that invariably weaves throughout documentary filmmaker David Perlov’s organically unfolding, yet instinctively lucid, pensive, insightful, and intimately observed personal essay film, Diary is the recurrence of unconscious, naturally occurring patterns – at once, symmetric, convergent, and coincidental, but also paradoxically autonomous, singular, and bifurcated – that continue to resurface and permutate within […]

I Saw Ben Barka Get Killed, 2005

Crafted as a cine-reportage restaging of the circumstances surrounding the 1965 abduction – and presumed assassination – of mathematics professor and exiled Moroccan opposition leader Mehdi Ben Barka (Simon Abkarian) on a Paris street, I Saw Ben Barka Get Killed is told from the point-of-view of petty criminal turned informant Georges Figon (Charles Berling) who, […]