A panoramic, low angle opening montage of an idyllic Japanese coastal province defines the understated, cinematic poetry of Yasujiro Ozu: a lighthouse framed against a tranquil sea; docked boats undulating with the sweeping waves; villagers weaving lackadaisically through local shops, as much for social interaction as for commerce. A struggling, itinerant acting troupe arrives into […]
Equinox Flower, 1958
Wataru Hirayama (Shin Saburi) speaks with nostalgic, muted tenderness as he recalls his arranged marriage to his wife, Kiyoko (Kinuyo Tanaka) at the wedding reception of his friend, Kawai’s (Nobuo Nakamura) elder daughter. Despite his own traditional marriage, he celebrates the freedom of young people to carve out their own destinies in the postwar, Western […]
Tokyo Story, 1953
To experience a Yasujiro Ozu film is to immerse in the reserved, quiet grace of a disappearing traditional culture. Tokyo Story is a languidly paced, subtly poignant, and exquisitely realized story of the Hirayamas, an aging couple from the provincial town of Onomichi who travel to postwar reconstructed Tokyo in order to visit their children, […]
The Flavor of Green Tea Over Rice, 1950
Revisiting themes of marital complacency and mutual respect as his earlier domestic comedy What Did the Lady Forget?, The Flavor of Green Tea Over Rice demonstrates unusually dynamic camerawork a later period, postwar Ozu film, featuring several low angle tracking shots – often placed as interstitial scenes in lieu of his more familiar ‘pillow’ shots […]
Early Summer, 1951
An independent-minded 28-year old woman living in cosmopolitan, postwar Tokyo may seem immune from the societal pressures of marriage, but in Noriko’s (Setsuko Hara) environment, it is a perennially surfacing, unavoidable topic. Her father, Shukichi (IchirĂ´ Sugai), and mother, Shige (Chieko Higashiyama), are unable to retire to her uncle’s house in the provincial town of […]
The Munekata Sisters, 1950
The film follows the plight of the upper beautiful, middle-class Munekata sisters – the conservative and traditional married older sister, Setsuko (Kinuyo Tanaka) (dressed in a kimono) and the liberal minded and free-spirited younger sister Mariko (Hideko Takamine) (dressed in Western attire) – as they struggle to build a new life in postwar Tokyo away […]





