In 1998, retired actress Zalika Souley, the grand dame and first professional actress of Nigerien cinema, was honored with the country’s Knight of the National Legion of Honor medal for her pioneering work in the film industry, a bittersweet ceremony that, for the now financially struggling middle-aged woman, would prove to be equally validating, celebratory, […]
Category: National Cinema
Mother Joan of the Angels, 1961
A gaunt, weary priest named Father Joseph Suryn (Mieczyslaw Voit) arrives at a quaint village inn to rest for the evening, eating his scant portion of bread alongside a bawdy, drunken patron named Wolodkowicz (Zygmunt Zintel) who is quick to ridicule his asceticism. The voluptuous barmaid, Adwosia (Maria Chwalibóg), goaded by Wolodkowicz into foretelling the […]
Night Train, 1959
Night Train opens to the eerie sound of a soulful and atmospheric vocal melody against an acute overhead shot of a busy train station. On an overnight train bound for a seaside resort, an agitated man named Jerzy (Leon Niemczyk), oddly obscured behind a pair of sunglasses, approaches the conductor (Helena Dàbrowska) to explain that […]
Drifting Clouds, 1996
An early episode in Drifting Clouds encapsulates the wry, droll, yet affectionate fusion of pathos and comedy that has come to define Aki Kaurismäki’s idiosyncratic cinema. A diligent and conscientious maître d’ named Ilona (Kati Outinen) attends to the dwindling, aging clientele of a once popular, upscale postwar restaurant called Dubrovnik, before being summoned into […]
The Match Factory Girl, 1989
Amid the mechanical din of the automated assembly line is the quiet despair of a lost soul. Her name is Iris (Kati Outinen), a dour, impassive young woman who oversees the labeling of matchbox packages. She performs her task with silent, methodical precision: removing duplicates, moistening unaffixed labels, tamping down curled edges. Riding home on […]
Ariel, 1988
Taisto (Turo Pajala) is the archetypal Kaurismäki anti-hero. His unkempt, impassive demeanor serves as a disarming, impenetrable defense mechanism against the seeming absurdity of his hapless life. The film opens to the activity of a mine shutdown, as Taisto and his coworkers resignedly look on as the explosives are detonated. A disillusioned friend gives Taisto […]





