Dekalog/Decalogue, 1988

The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part epic masterpiece, Decalogue, Krzysztof Kieslowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens. A scientist (Henryk Baranowski) puts his faith in science and logic to […]

Blind Chance, 1987

Blind Chance opens to a dissociated close-up shot of an anxiously screaming seated passenger named Witek (Boguslaw Linda): a jarring and ominous episode that is further reflected in a subsequent chaotic scene as bloodied casualties from an undetermined catastrophe are transported – often, haphazardly but swiftly – through the cold, antiseptic halls of a hospital […]

Carmen Comes Home, 1951

Perhaps it is postwar filmmaker’s Keisuke Kinoshita’s reputation as a director of old-fashioned, “women’s pictures” coupled with his penchant for depicting simple, uncorrupted innocence that have rendered his work (particularly with the advent of the Japanese New Wave) vulnerable to criticisms of outmoded sentimentality. However, while these generalizations are rooted in the intrinsic elements of […]