The Sandwich Man: The Son’s Big Doll, 1983

In 1962, at an anonymous Taiwanese village, a somber, lackadaisical man curiously dressed as a clown and laden with advertising billboards promenades through an array of indistinguishable city streets on a sweltering summer day, trying to attract the attention of the occasional passerby with the constant beating of a toy ceremonial drum before momentarily wandering […]

Virgin Stripped Bare by Her Bachelors, 2000

A dashing and affluent man named Jae-hoon (Jeong Bo-seok) arrives alone at a hotel resort and begins to occupy his time lazing about (and cursorily inspecting the ventilation system of) the empty, comfortable suite until the anxious distraction of a telephone call from his mobile phone – auspiciously ringing the tune of a tin-pot, synthesized […]

The Power of Kangwon Province, 1998

Aboard a crowded overnight passenger train bound for the seaside resort of Kangwon province, an exhausted, half-asleep, standing commuter momentarily drifts into annoyed consciousness after having been bumped into by an oblivious, bespectacled, casually dressed man named Jaewan (Chun Jaehyun) on his way back to an adjoining car after purchasing refreshments and snacks from a […]

The Day a Pig Fell Into the Well, 1996

A struggling, self-absorbed writer named Hyo-sub (Kim Yui-seong) visits the home of a former colleague, ostensibly to retrieve a submitted draft for further editing (although, more likely, to probe into the possibility of receiving a writing fee advance on the authored piece). Having arranged a meeting with his occasional lover, a young woman named Min-jae […]

Dance in the Rain, 1961

Considered to be among the best Slovenian films ever made (that, according to author and Slovenian film and culture scholar Joseph Valencic, often ranks first in national film polls), maverick filmmaker Bostjan Hladnik’s dense and atmospheric Dance in the Rain finds greater kinship with the experimental narrative, fragmentation, and interiorization of Erik Lochen’s The Hunt […]