Numéro Zéro, 1971/2003

Composed as an uninterrupted conversation with Jean Eustache’s sprightly, talkative, nearly blind, septuagenarian maternal grandmother, Odette Robert, Numéro Zéro prefigures the studies in narrative construction of Une Sale histoire in its illustration of performance and interpenetrating film reality. Inspired by their conversation during an afternoon stroll, the film reflects Eustache’s assumed role as archivist, creating […]

Santa Clause Has Blue Eyes, 1966

Droll, charming, and picaresque, Jean Eustache’s Santa Claus Has Blue Eyes chronicles the empty hours, petty capers, and amorous misadventures of Daniel (Jean-Pierre Léaud), an unmotivated (and consequently fired) erstwhile bricklayer and modern day dandy who, rather than admit to his blue collar roots, has concocted an elaborate tale of paternal conspiracy and social consciousness […]

Le Cochon, 1970

Something of a germinal template for Raymond Depardon’s Profils Paysans films on a dying way of life in rural (and largely forgotten) France, Jean Eustache and Jean-Michel Barjol’s reverent, vital, and painstakingly observed ethnographic documentary Le Cochon chronicles a day in the life of peasant farmers in the mountainous region of the Massif Central. In […]

South (El Sur), 1983

A pensive adolescent named Estrella (Icíar Bollaín) awakens at dawn to the alarming sound of barking dogs that progresses to an increasingly audible, anxious commotion downstairs as Estrella’s panicked mother, Julia (Lola Cardona) calls in vain for her husband Agustín (Omero Antonutti) and, upon discovering that he had mysteriously disappeared sometime during the night, awakens […]

The Spirit of the Beehive (El espíritu de la colmena), 1973

A detached, preoccupied scientist, Fernando (Fernando Fernan Gomez), has moved to the provincial tranquility of Castille with his young family in order to devote his time to the study of bees. He spends countless hours at an apiary observing their daily ritual, manipulating their environment, recording the results of his intervention. His wife, Teresa (Teresa […]