Victor… Before It’s Too Late, 1998

In Sandrine Veysset’s Victor… Before It’s Too Late, social observation and whimsicality oddly – but seamlessly – converge into a bracing exploration of family, connection, and healing. From the opening sequence of an anxious Victor (Jérémy Chaix) staring out at mobile airplanes with both wistfulness and fear that segues into a shot of him running […]

Sweet Rush, 2009

Part coming of age story set in the aftermath of the Warsaw Uprising, and part personal testament by lead actress Krystyna Janda on her husband, Edward Klosinski’s battle with cancer during filming, Andrzej Wajda’s poignant, if disarticulated Sweet Rush, on the surface, suggests kinship with the metacinema of Abbas Kiarostami in exploring the interpenetration between […]

Uncle Boonmee Who Can Recall His Past Lives, 2010

Like Mija in Lee Chang-dong’s Poetry, the eponymous, ailing protagonist of Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives is similarly haunted by memory and mortality. Retiring to a secluded country estate to live out his final days in the company of concerned family and friends (as well as a devoted Laotian illegal […]

Syndromes and a Century, 2006

In Syndromes and a Century, Apichatpong Weerasethakul revisits the bifurcated structure of his earlier feature films, Blissfully Yours and Tropical Malady as well as the fragmented, dissociative visual and aural images of his experimental short, The Relentless Fury of the Pounding Waves to create a languid, lyrical, organic, and contemplative exposition on the malleability and […]