Aleksandr Sokurov creates a visually poetic, elegant, and unforgettable synthesis of art and life in Mariya. The lush and textural initial sequence, shot using color film, presents the austere life of the titular Mariya – a robust, genial, and hard-working middle-aged collective farmer with an engaging smile – during an arduous flax harvest season in […]
Category: Film Festivals and Retrospectives
Moscow Elegy, 1988
More allusive and evocative than biographical in content, Moscow Elegy is Aleksandr Sokurov’s tribute documentary to Russian filmmaker, friend, and mentor, Andrei Tarkovsky that concentrates on the iconic filmmaker’s final years in Western Europe. Incorporating thematically representative scenes from Tarkovsky’s last two, deeply spiritual, non-Russian films, Nostalghia and The Sacrifice, as well as behind the […]
Evening Sacrifice, 1987
Evening Sacrifice is tonally composed of two indelibly entrancing and hypnotically fluid images: a color sequence that captures the methodical precision of a military regiment deploying fireworks over the Neva River to the melancholic serenade of a nostalgic, old-fashioned ballad, that transitions to a sepia-toned footage of a crowd indiscriminately dispersing into the street amidst […]
Dmitri Shostakovich: Viola Sonata, 1986
Co-directed by Aleksandr Sokurov and Semen Aranovich, Dmitri Shostakovich: Viola Sonata is an emotionally lucid, understated, textural, and reverent biography of the highly influential, Soviet-era composer and pianist, Dmitri Dmitrievich Shostakovich. Using allusive, recurring imagery of a photograph of a young, physically fragile Shostakovich resting on his mother’s lap and a delirious shot of an […]
Long Journey to the Rage, 1969
Similar to Llorenç Soler’s previous film, 52 Sundays, Long Journey to the Rage is also a sobering portrait of poverty and marginalization. And like the bullfighting students of his earlier film, the people in Long Journey to the Rage are also anonymous immigrants who have abandoned a hardscrabble existence in the rural provinces in an […]
52 Sundays, 1966
On the surface, a film about bullfighting would seem an unlikely source of resistance. But Llorenç Soler’s 52 Sundays is far from a flamboyant celebration of Franco-friendly displays of skill and aggression. Filmed from the perspective of aspiring toreros, often poor, undereducated teenagers from the country who get together on Sundays in makeshift schools on […]