The Fly-Up Preceding Marat Sarulu’s feature film, My Brother Silk Road is the filmmaker’s short film, The Fly-Up, a quiet observation of a factory furnace worker’s idyllic afternoon of rest as he attempts to escape the oppressiveness of his existence by taking a nap on the rooftop, watching a beautiful young neighbor as she paints […]
Category: Film Festivals and Retrospectives
Paprika, 2006
Based on the futuristic novel by seminal science fiction author Yasutaka Tsutsui, Paprika is a bold, provocative, mind-bending, and fiercely intelligent exposition into the nature of terrorism, the demystification of the subconscious, and the psychology of fetishism and objectification. A rash of thefts involving a developmental prototype dreamcatcher device, code named DC Mini, the brainchild […]
The Seventh Day, 2004
On an isolated pueblo in the heart of the Spanish countryside, the seemingly familiar story of fickle young love unravels to incomprehensible tragedy when the spurned lover, Luciana Fuentes, expresses a vengeful wish on her seducer in the presence of her fragmented, devoted brother Jerónimo who, in turn, executes his sister’s wish, resulting in the […]
¡Ay Carmela!, 1990
A prevailing thread that continues to weave through Carlos Saura’s aesthetically fluid, articulate, and refreshingly (re)inventive cinema is in his instinctual acuity to capture society’s moral landscape – invariably transfiguring and adapting conventional film form in unexpected, often groundbreaking ways that, in their bracing novelty, also becomes a refracted, secondary reflection of their culturally rooted […]
Love, the Magician, 1986
While Blood Wedding, the first dance film in what would evolve to be Carlos Saura’s flamenco trilogy collaboration with choreographer Antonio Gades, distilled the art of flamenco to the essential movement of bodies and expression of the human voice, and the subsequent installment, Carmen examined the integral, often interpenetrating relationship between reality and performance (albeit, […]
Carmen, 1983
In an early episode in Carmen, Carlos Saura’s second dance film with renowned flamenco artist Antonio Gades (in what would inevitably prove to be the second film of their collaborative Flamenco trilogy), a group of musicians rehearse at a large, open dance studio within earshot of the choreographer, Antonio (Gades) as he struggles to find […]





