Story of a Beautiful Country, 2004

During the post-screening Q&A of Story of a Beautiful Country, filmmaker Khalo Matabane stated that his inspiration for his self-described road movie indirectly came from the daily television broadcasts of the Truth and Reconciliation Hearings, observing that many of the witnesses to the struggle – the human testimonies that not only chronicled national history under […]

Independencia, 2009

The idea that history is written by the conquerors and not the vanquished shapes the consciousness of Raya Martin’s distilled and meticulously crafted film, Independencia, a highly formalized reconstruction (and reclamation) of a lost, unwritten history: one communicated in the language of an indigenous people but framed in the conventional, accepted syntax of “official” (and […]

The Headless Woman, 2008

In retrospect, the swooning, haunted enigma of Lucrecia Martel’s The Headless Woman is revealed in the metaphoric image of a landscaper digging around in frustration along the perimeter of a garden bed, trying to make room for ornamental trees that the owner, Verónica (María Onetto) had purchased during a recent trip to the nursery. The […]

The Holy Girl, 2004

In the film’s understatedly realized catalytic encounter, an adolescent named Amalia (Maria Alché) stands in front of a musical instrument shop window in order to watch a musician perform on a theremin, as an inscrutable physician named Dr. Jeno (Carlos Belloso), visiting from out of town for a medical convention, casually places his hands in […]

Eniaios IV “Nefeli Photos” Reel 2, 2004

Gregory Markopoulos’s self-contained excerpt, Eniaios IV “Nefeli Photos” Reel 2, a fragment from his legendary, 80 hour, twenty-two cycle magnum opus, Eniaios is something of an alchemic composition of disparate, often contrasting images that conflate towards a dense singularity that no longer resembles its elemental forms – a vibrant, enigmatic, and sublime meditation on architectural […]