Channeling the zeitgeist of the French new wave, The Koumiko Mystery assimilates Jean-Luc Godard’s enraptured clinical deconstructions of the feminine mystique (as well as a penchant for structuring these ruminations within the framework of noir) with Jacques Demy’s achingly nostalgic evocations of elusive, romanticized longing into a whimsical, organic, and fractured, yet quintessential Chris Marker […]
Category: Directors
Le Joli mai, 1963
Before Chris Marker would deconstruct the 1930s, postwar photo-reportage of Denise Bellon in Remembrance of Things to Come to unearth what would prove to be subliminal portents within the zeitgeist of seeming halcyon days that would prove to be a harbinger of an inevitable second great war to end all wars, he would first cast […]
Letter from Siberia, 1957
One of the highlights of the 2004 New York Video Festival was Jacqueline Goss’ disarmingly whimsical and tongue-in-cheek, yet witty and incisive ethnographic video essay, How to Fix the World – an animated reenactment based on the cognitive studies of psychologist Alexander R. Luria that preceded the Soviet government’s mandate to promote Western education and […]
Tales of Little People, 1994-1999
The unreconciled ghosts of colonialism and its legacy of economic stagnation, currency devaluation, and underdevelopment among emerging contemporary African nations lies at the core of Djibril Diop Mambéty’s whimsical, yet incisive (and sadly, unfinished) series of envisioned fables, Tales of Little People, that sought to illustrate – through accessible, culturally familiar folkloric imagery and traditional, […]
Damage, 1992
The German concept of liebestod (explored by such varied artists as composer Richard Wagner and author Thomas Mann) proposes the idea that true love cannot be attained without the complete abandonment of the will and submission to suppressed passion (hence, the literal translation of love and death). From the novel by Josephine Hart, Louis Malle’s […]
Au Revoir les enfants, 1987
Au Revoir les enfants is a touching and nostalgic film about the loss of innocence. Julien Quentin (Gaspard Manesse) is an awkward, fanciful adolescent who is sent by his doting mother to a provincial Catholic boarding school. Set in 1940s war-torn France, there is an underlying sense of hardship and uncertainty in this idyllic countryside: […]





