The Waiting Room, 2004

During the panel discussion on Turkish cinema, Zeki Demirkubuz cited Friedrich Nietzsche’s (paraphrased) statement that the more a person understands the world around him, the more isolated he becomes. This sentiment also seems to form the creative ideal for the fictional director, Ahmet (played by Demirkubuz himself) in The Waiting Room, the final installment of […]

The Confession, 2001

One of the highlights from the Zeki Demirkubuz retrospective for me was the discovery of The Confession, the second installment of his Tales of Darkness trilogy, a taut, minimalist, and deeply moving portrait of the dissolution of a marriage. A pair of mundane, quick greeting calls to the office for public works engineer, Harun (Taner […]