Three passengers suffocate in the sweltering heat of a confining train cabin, traveling through a foreign country, seemingly on the brink of war: a fragile translator, Esther (Ingrid Thulin), her sister Anna (Gunnel Lindblom), and Anna’s son Johan (Jorgen Lindstrom). Suffering from a bronchial attack, Esther checks into a hotel room, with Anna and Johan […]
Category: Directors
Winter Light, 1963
The order of mass is methodically performed before a dwindling congregation: a school teacher, Marta (Ingrid Thulin), a troubled parishioner, Jonas Persson (Max von Sydow) and Jonas’ wife, Karin (Gunnel Lindblom). But the ritual no longer holds any significance for its messenger, pastor Tomas (Gunnar Bjornstrand), who has a crisis of faith. Note several framed […]
Through a Glass Darkly, 1961
Four people emerge from the austere horizon, heading for the shore of a seemingly desolate island: a successful writer, David (Gunnar Bjornstrand), his adolescent son, Minus (Lars Passgard), his fragile daughter, Karin (Harriet Andersson), and Karin’s husband, Martin (Max von Sydow). Surrounded by her family, Karin is brought to the remote island in order to […]
The Virgin Spring, 1960
In the darkness of a breaking dawn, a lascivious, unmarried, expectant woman named Ingeri (Gunnel Lindblom) dispassionately performs her morning ritual: preparing a fire on the stove, opening the roof door in order to allow the daylight to stream in, invoking the Norse god Odin in an envious and vengeful plea. In another room, the […]
Wild Strawberries, 1957
Wild Strawberries captures the thoughtful and compassionate side of Ingmar Bergman rarely seen in his films. It is the story of an aging man’s introspective journey on the meaning of his life, and inevitability of death. Professor Isak Borg (Victor Sjostrom) is compiling his memoirs in preparation for an honorary degree that he is to […]
Patrick Bokanowski: Short Films (1972-1994)
My first exposure to French filmmaker Patrick Bokanowski’s experimental cinema was with his transfixing, yet vague and impenetrable magnum opus L’Ange, a Dante Alighieri-esque depiction of intranscendence and moribund ritual that would ingrain the (somewhat reductive) idea that his films were abstract visual studies in structuralism, modulation, and repetition. In hindsight, underneath this cursory first […]




