The Corridor, 1995

In a (relatively) climactic episode that occurs near the hour mark of The Corridor, the residents of a working-class tenement in the metropolitan city of Vilnius in Lithuania congregate on the passageway near the common kitchen to socialize with other tenants and, enlivened by the melancholic (often foreign) pop ballads on the radio (and perhaps […]

Le Petit Lieutenant, 2005

Part police procedural and part character study of the camaraderie of detective work, Xavier Beauvois evokes the unsentimentality and objective, cinéma vérité-styled painstaking observation of Maurice Pialat – with similar conflicted results – in his latest film Le Petit Lieutenant. The titular rookie investigator is Antoine (Jalil Lespert), a prototypical provincial cop from Normandy eager […]

Pitcher of Colored Light, 2007

In a sense, Robert Beavers’s muted, sensual, and reverently observed short film diary, Pitcher of Colored Light may be seen as a companion piece to the climactic, long awaited homecoming sequence in Jonas Mekas’s Reminiscences of a Journey to Lithuania (albeit without the reflective commentary) – a personal chronicle that similarly evokes the silent intimacy […]

Vincere, 2009

Less a biography on the early life of Fascist leader Benito Mussolini than a dissection into creating (and sustaining) a cult of personality, Marco Bellocchio’s Vincere is a textured, operatic, and incisive historical fiction based on the fate of Mussolini’s secret first wife, Ida Dalser (Giovanna Mezzogiorno) who, along with their son, Benito Albino, were […]

Good Morning, Night, 2003

Based on the real-life kidnapping of President Aldo Moro by members of a terrorist organization known as the Red Brigade in 1978, Good Morning, Night is a compelling, thoughtful, and understatedly powerful film that captures the turmoil and uncertainty caused by Moro’s (Roberto Herlitzka) brazen kidnapping and the subsequent 53 days of frustratingly stalled and […]