Love Torn in Dream, 2000

Raoul Ruiz’s Love Torn in Dream is an inscrutably hypnotic, painterly, structurally organic, and logically impenetrable film that lyrically and visually conflates a series of historical periods, role-swapping character actors, and states of consciousness into a fanciful – albeit distended and maddeningly opaque – tale of love, fate, and destiny. Similar to Time Regained in […]

The Hypothesis of the Stolen Painting, 1978

An off-camera narrator is invited at the request of an unnamed art collector (Jean Rougeul) to study a series of seemingly innocuous paintings for which impeccably constructed tableaux vivants by an unremarkable nineteenth century artist named Frederic Tonnerre had once caused the artist to run afoul with French authorities. As the narrator critically surveys the […]

Dog’s Dialogue, 1977

Dogs’ Dialogue opens to a shot of an abandoned dog that has been tied to the structural frame of a discarded piece of broken furniture at a derelict open field, territorially barking to ward off an unleashed, stray dog hovering nearby. The image of vicious, primal social interaction carries through to an idiosyncratic visual transition: […]

Kanikosen, 2009

In its incarnation as a 21st century, recession-era satire on worker exploitation and the intersection between globalism and geopolitics, Sabu’s Kanikosen is an atmospheric, if diluted adaptation of Takiji Kobayashi’s Shōwa-era leftist novel. Set aboard an Imperial Navy-escorted (and implicitly, sanctioned), crab canning ship operating near (and often, over) the Russian-controlled Sea of Okhotsk, the […]