Posts by acquarello:

The Fighting Spirit, 2009

In an episode in George Amponsah’s insightful and compassionate documentary The Fighting Spirit, a boxing trainer from the Ghanian fishing village of Bukom, having arrived with his protégée to England for an international competition, marvels at the technological achievement behind the gleaming urban landscape, commenting that the problem of African stagnation does not stem from […]

Los Angeles Plays Itself, 2003

Ostensibly named after a notorious gay porn film entitled L.A. Plays Itself (where the systematic degradation of the city was paralleled through increasingly violent sexual encounters), Los Angeles Plays Itself is a thoughtful and sublimely articulate stream of consciousness piece that explores Hollywood’s historical neutering, mythification, and suppression of Los Angeles’ native cultural identity in […]

O Aleijadinho, 1978

In the frenzy of festival coverage, a few noteworthy films always seem to slip through the cracks, and for me, this was the case with Joaquim Pedro de Andrade’s short film, O Aleijadinho, screened during the filmmaker’s retrospective sidebar at the 2007 New York Film Festival. In hindsight, the film intriguingly prefigures Hiroshi Teshigahara’s Antonio […]

Macunaíma, 1969

In an early episode of Joaquim Pedro de Andrade’s delirious, bawdy, idiosyncratically fragmented, and bluntly allegorical film, Macunaíma, the eponymous hero, having been abandoned by his impoverished family in the forest, encounters an ogre who then proceeds to placate the hungry child by feeding him a piece of flesh carved from his own leg – […]

The Master of Apipucos, 1959

Originally conceived as an installment in a two-panel portrait of prominent Brazilian intellectuals (and family friends), Joaquim Pedro de Andrade’s The Master of Apipucos captures a day in the life of author and sociologist, Gilberto Freire whose highly influential book, The Masters and the Slaves examined the unique essence of Brazilian identity through the framework […]