The Sun, 2005

Aleksandr Sokurov has always seemed to be particularly in his element with his dense and amorphous expositions of integrated, Eastern spirituality (A Humble Life, Dolce) and the commutation of collective history (Oriental Elegy, Russian Ark, so it comes as no suprise that the third installment of his historical tetralogy, The Sun – a film that […]

Russian Ark, 2002

Aleksandr Sokurov’s Russian Ark was next, and it is quite a spellbinding, visually brilliant film, as Sokurov transports us through episodes of Russian history through the confines of The Hermitage Museum in one long unbroken shot (in the same experimental vein as Alfred Hitchcock’s Rope) that seems to create a seeming perpetuity that underscores a […]

Springtime in a Small Town, 2002

Tian Zhuangzhung’s Springtime in a Small Town is a visually sublime and nostalgic film that is somewhat reminiscent of Satyajit Ray’s exquisite Charulata in understatedly depicting the repercussions of emotional betrayal. The film takes place in the ruins of a large rural mansion in postwar China, as a physically fragile aristocrat (Wu Jun) is reunited […]