Aleksandr Sokurov has always seemed to be particularly in his element with his dense and amorphous expositions of integrated, Eastern spirituality (A Humble Life, Dolce) and the commutation of collective history (Oriental Elegy, Russian Ark, so it comes as no suprise that the third installment of his historical tetralogy, The Sun – a film that […]
Tag: NYFF
Russian Ark, 2002
Aleksandr Sokurov’s Russian Ark was next, and it is quite a spellbinding, visually brilliant film, as Sokurov transports us through episodes of Russian history through the confines of The Hermitage Museum in one long unbroken shot (in the same experimental vein as Alfred Hitchcock’s Rope) that seems to create a seeming perpetuity that underscores a […]
Life During Wartime, 2009
During the Q&A, cinematographer Edward Lachman commented that the more aesthetic look to Life During Wartime with respect to Todd Solondz’s earlier work was a result of Solondz’s direction that the film convey a degree of unnaturalness and plasticity. On the surface, this image of conscious construction seems inconsistent with the sense of organic continuity […]
I Just Didn’t Do It, 2007
On an unassuming morning, a preoccupied young man, Teppei Kaneko (Ryo Kase) irregularly boards an overcrowded train (with the assistance of the station’s white gloved, attendant shover) with his briefcase in hand on his way to a job interview and, while in transit, realizes that his jacket had been caught between the closing doors. Pinned […]
The Go Master, 2006
In distilling the life of one of the greatest (if not the greatest) Go players in history, Wu Qingyuan (Chen Chan) – an ethnic Chinese who immigrated to Japan (where he is referred to by the Japanese reading of his name, Go Seigen) in order to continue his pursuit of the game through officially sponsored […]
Springtime in a Small Town, 2002
Tian Zhuangzhung’s Springtime in a Small Town is a visually sublime and nostalgic film that is somewhat reminiscent of Satyajit Ray’s exquisite Charulata in understatedly depicting the repercussions of emotional betrayal. The film takes place in the ruins of a large rural mansion in postwar China, as a physically fragile aristocrat (Wu Jun) is reunited […]