Le Quattro volte, 2010

The idea of permeable boundaries between life and death, reality and fiction also captures the spirit of Michelangelo Frammartino’s distilled, yet richly textured fresco, Le Quattro Volte. Composed of four seasonal portraits that collectively present the cycle of life in the ancient village of Calabria, the film is something of a hybrid between Raymond Depardon’s […]

Images of the World and the Inscription of War, 1989

In 1944, an Allied aircraft took topographic photographs of Auschwitz during a routine surveillance operation for power plants, munitions factories, chemical plants, and any other industrial complexes that could potentially serve as bombing targets that, in the military’s myopic search for these high collateral targets that would cripple the German war machine, failed to recognize […]