Black Gold, 2006

A bold, impassioned, no-holds-barred look at the profoundly deleterious effects of artificial price setting by commodities trading in western financial markets (most notably New York and London) and the inherent inequity of the World Trade Organization’s policies on the livelihood of impoverished farmers in developing countries, Black Gold traces the lucrative coffee trail to its […]

Le Quattro volte, 2010

The idea of permeable boundaries between life and death, reality and fiction also captures the spirit of Michelangelo Frammartino’s distilled, yet richly textured fresco, Le Quattro Volte. Composed of four seasonal portraits that collectively present the cycle of life in the ancient village of Calabria, the film is something of a hybrid between Raymond Depardon’s […]

Workingman’s Death, 2005

Michael Glawogger pulsing, ambitiously conceived global treatise on the drudgery, and often dehumanizing, rituals of manual labor at the beginning of 21st century – over a century after the birth of the Industrial Revolution – appropriately begins in the town of Donbass in the Ukraine, the coal mining town where, in 1935, Aleksei Grigorievich Stakhanov […]

Camden 28, 2006

A penetrating, affirming, and bracing examination of what the late Supreme Court Justice William Brennan would deem as “one of the great trials of the twentieth century”, filmmaker Anthony Giacchino’s Camden 28 broaches on similar issues of Bernadine Mellis’ The Forest for the Trees in the government – and specifically, the FBI’s – systematic abuse […]

Our Daily Bread, 2006

Evoking the aesthetics of Harun Farocki’s antiseptic images of production crossed with Chantal Akerman’s structuralist ruminations on organic landscape, Nikolaus Geyrhalter’s Our Daily Bread is a bracing, surreal, sobering, and strangely transfixing exposition into the dehumanized technologies and industrially engendered process efficiencies intrinsic in the mass commerce of industrial-scale food production. Composed of a series […]

Elsewhere, 2001

In 2000, the final year of the twentieth century, Nikolaus Geyrhalter and his crew set out with a digital video camera to film twelve, self-contained ethnographic episodes, each encapsulating a month-long document of the lives of people who perform their quotidian rituals in a figurative “elsewhere” – distant cultures and remote geographies seemingly left untouched […]