Filmed in the wake of the staged military coup d’état on September 11, 1973 that overthrew the leftist government of elected Chilean President Salvador Allende, Chris Marker’s The Embassy is something of a cross between the immersive docufiction of Peter Watkins and the reflexive diaries of Jonas Mekas in its clinical dissection of the zeitgeist […]
Channeling the zeitgeist of the French new wave, The Koumiko Mystery assimilates Jean-Luc Godard’s enraptured clinical deconstructions of the feminine mystique (as well as a penchant for structuring these ruminations within the framework of noir) with Jacques Demy’s achingly nostalgic evocations of elusive, romanticized longing into a whimsical, organic, and fractured, yet quintessential Chris Marker […]
Before Chris Marker would deconstruct the 1930s, postwar photo-reportage of Denise Bellon in Remembrance of Things to Come to unearth what would prove to be subliminal portents within the zeitgeist of seeming halcyon days that would prove to be a harbinger of an inevitable second great war to end all wars, he would first cast […]
One of the highlights of the 2004 New York Video Festival was Jacqueline Goss’ disarmingly whimsical and tongue-in-cheek, yet witty and incisive ethnographic video essay, How to Fix the World – an animated reenactment based on the cognitive studies of psychologist Alexander R. Luria that preceded the Soviet government’s mandate to promote Western education and […]