Given the expanse of the Siberian wilderness as his cinematic canvas, Akira Kurosawa responds with the visually hypnotic, deeply affecting portrait of nature, friendship, and survival in Dersu Uzala. Based on the journals of Russian explorer Vladimir Arseniev, the film opens to a forest that is being cleared for development, and Arseniev searching for an […]
High and Low, 1963
High and Low never wavers under the assured direction of Akira Kurosawa. It is, all at once: a procedural crime story, a social commentary on the casualties of industrialization, the redemption of a man’s soul. A wealthy executive, Gondo (Toshiro Mifune), hosts an informal board meeting in his insular residence atop a hill, overlooking the […]
Seven Samurai, 1954
In 16th century Japan, protracted feudal wars have created a prevailing sense of lawlessness. Bandits have organized into formidable armies that scavenge the countryside in search of villages to loot. One morning, a band of thieves arrive at the outskirts of a farming community, but is persuaded to delay their attack until the barley has […]
Ikiru, 1952
Akira Kurosawa uses the camera to distance himself from his subject. In Ikiru, the camera serves as the mirror to his soul. Ikiru is the subtly poignant and heartbreaking story of Kanji Watanabi (Takashi Shimura), a middle aged government bureaucrat who has been diagnosed with terminal gastric cancer. Realizing that he has squandered his life […]
Program 9: Peter Kubelka’s Truth and Poetry
During Peter Kubelka’s engaging, humorous, and inspiring presentation (and screening of his latest film), he reinforced several concepts and overarching theories that have fueled his personal philosophy and his craft. The first is humankind’s primordial nature as hunter and gatherer, and that as a filmmaker, Kubelka adapts to this primitive instinct though his penchant for […]
Summer 04, 2006
Stefan Krohmer’s deceptively lyrical Summer 04 chronicles the unexpected, life altering summer vacation of domestic partners Mirjam (Martina Gedeck) and AndrĂ© (Peter Davor), and their teenage son Nils (Lucas Kotaranin) as they attempt to navigate through the murky, uncharted waters of romantic – and emotional – entanglements caused by the introduction of Nils’ precocious, 12 […]





