A quiet, asocial young man named Goichi Mizoguchi (Raizo Ichikawa) arrives at the idyllic Soenji Temple that houses the renowned Shukaku Pavilion with a letter of introduction from his late father, a humble, provincial monk and trusted friend of the Chief Priest, Tayama (Ganjiro Nakamura). Unmarried and without an heir to the temple, Tayama quickly […]
The Burmese Harp, 1956
During the final days of the Second World War, a weary Japanese regiment is sent on a military campaign to Burma. Far from zealous, determined career soldiers, the troop consists of ordinary, dutiful civilians led by a thoughtful music teacher named Captain Inouye (Rentaro Mikune). In order to improve morale and build camaraderie, Captain Inouye […]
La Dama Boba, 2006
In a well-appointed villa in seventeenth century Spain, a wealthy, widowed noblewoman, Otavia (Verónica Forqué) vows to marry off her two beautiful, but problematic daughters: Nise (Macarena Gómez), whose dark, smoldering beauty is equally matched by the ferocity of her intellect and penchant for uncompromising, philosophical debates with the finest intellectuals of the day, and […]
La Lunga Ombra, 2006
On the surface, Jon Jost’s austere, somber, and uncompromisingly caustic improvisational rumination on the pall cast by the aftermath of 9/11 on the European consciousness, La Lunga Ombra seems an uncharacteristic departure from the intractable consciousness of middle America that pervade his early films – a post tragedy portrait that converges more towards claustrophobic, Bergmanesque […]
Oui Non, 2002
As much an elegy to film as it is a dissolution of romantic myth, Jon Jost’s Paris-set digital feature, Oui Non hews closely to the spirit of Jean-Luc Godard’s late period, mixed media essay films – a reflection on the city and the cinema through conventional images of the present as preconceived, idealized evocations of […]
The Bed You Sleep In, 1993
An unhurried, almost soporific succession of long and medium establishing shots of a bucolic logging town in the Pacific Northwest provides an entrancing and deceptively tranquil prelude to the impending – and perhaps, unavoidable – tragedy of The Bed You Sleep In. As the film opens, an unassuming, middle-aged, independent contractor named Ray Weiss (Tom […]





